I don't set out to make something that is repulsive and that would scare people. I know that some people don't like what I make, and don't find it cute, but that's hard for me to understand.

In one hundred years time people will look back and think 'these people were really worried about the environment, they were looking at things to do with global warming, and this is why they were making work about these issues'.

Artists make worlds for people to walk through.

I work with whatever mediums seems best suited to evoking the sorts of thoughts and emotions I am interested in playing with.

Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.

We always use plywood rather than MDF for structural stuff for the same reasons [stability].

Melbourne is a fantastic place to work, but it's not the centre of the world.