For me it is a matter of respect for the ideas in the work and the people who look at them. I absolutely hate it when works come back to the studio for repair, and I try to make sure that they never do.

The studio keeps notes on the details of editions and production processes and the like.

Artists make worlds for people to walk through.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

I would say my work is anti-ironic.

My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.

For me it is a matter of respect for the ideas in the work and the people who look at them. I absolutely hate it when works come back to the studio for repair, and I try to make sure that they never do.