Now that other people have my works, it's really important to me that what they have has longevity.

I put a lot of time and thought into my work, which I see as a sort of respect for both the work and the audience, and I have always been very concerned that the materiality of the work reflects that.

Now that other people have my works, it's really important to me that what they have has longevity.

The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.

I don't want the ideas to be limited by what I can physically do. The ideas come first.

I have been interested in visual arts since high school and, after realising that I had absolutely no interest in the economics degree I had undertaken at ANU, I started a BFA in Sydney which I completed at VCA in Melbourne.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.