Sought we the Scrivani word-work of Surthur Long-long in ledger all hope forgotten Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty.

In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.

You need to realize that most writing rules aren't laws, they're rules of thumb.

But it isn’t a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns.

What do they do to students at the University who eavesdrop?” Bast asked curiously. “I haven’t the slightest idea. I was never caught. I think making you sit and listen to the rest of my story should be punishment enough.

I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story.

He hesitated, then lifted his head and sniffed. “Have you been drinking?” The question was more curious than accusatory. “No,” Bast said. The innkeeper raised an eyebrow. “I’ve been tasting,” Bast said, emphasizing the word. “Tasting comes before drinking.