If you're going to have a book full of clever people and nobody ever jokes, it's just not going to ring true to the reader. That said, humor writing is the hardest kind of writing there is.

He had a bright, reckless tenor that was always wandering off, looking for notes in the wrong places.

85% of modern music doesn't have a damn thing to do with music. It has to do with looking good. Name me one woman on the top ten right now who isn't absolutely smoking hot. You think that's a coincidence?

I grew up reading Tolkien, and I love him. But I love him in the way that you love that rambly old grandfather. You have to sit through some pretty off-topic stuff before he starts telling his cool old war stories.

Stand alone books are nice because they have everything all in one tidy little package. Neverwhere was awesome because you get action, adventure, character development, the exploration of a strange world, PLUS resolution of all the problems and mysteries at the end. No lines no waiting. That's very satisfying. Multi-volume stories are satisfying too, just in a different way.

I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.

It wasn't even a good note. 'If you are reading this I am probably dead.' What sort of a note is that?