I've always thought that a lot of really good writers go wrong by getting so into the craft and the technique and perfection. Perfection can be the enemy sometimes. Some songs don't need to be told perfectly. Life is messy and has loose ends, and sometimes I think the songs should reflect that.

I'm lucky enough that people tend to agree a lot with what I say. But really if anyone in the band has a really strong feeling, it carries a lot of weight.

The road does not always bring out the best in people.

I dislike Bush as much as probably anybody on earth could, but having said that... It's not like I'm going to change anybody's mind.

The biggest thing this has in common with almost all of our records is the dualities are still there. We kind of stripped down the other things we were writing about, and that's what was left. A lot of good things have happened to us in the last couple of years both as a band and in our personal lives. But something as wonderful as having children also brings along these new fears and terrors and responsibilities.

A lot of the music that I grew up loving has a really political bent to it.

When Adam's House Cat broke up in 1991, which was Cooley and my band for six years, I put my entire life, heart, and soul into that thing. I mean everything. I ended up getting divorced over it, and then the band broke up and I was left with nothing. I had nothing to show for six years of my life except for a finished record that still hasn't come out. And I went through a pretty deep, dark, two-year depression after that, [which] probably resulted in some of the earlier songs that became Drive-By Trucker songs, for that matter.