I don't have an image of myself, when I'm walking down the street, like I'm a rock star or something. I'm a human being, I'm a friend, I'm a mom, I'm a writer, and I'm an artist. I do play electric guitar and all of that but in the end I'm just a person. I really don't live like a rock star, economically or socially. I still live a pretty simple life beside the traveling aspect of it.

Toyland, toyland . . . once you pass its portals you may never return again.

I've embraced rock 'n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock 'n' roll. But I am also engaged in all of these things separately.

Art is by nature optimistic. Art is optimistic because it is alive.

I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.

Everybody's got to reclaim these thingspoetry, rock'n'roll, political activismand it's got to be done over and over again. It's like eating: you can't say,'Oh, I ate yesterday'.You have to eat again.

I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.