I was so involved in my boy-rhythms that I never came to grips with the fact that I was a girl. I was twelve years old when my mother took me inside and said, "You can't be outside wrestling without a T-shirt on." It was a trauma.

Robert was concerned with how to make the photograph, and I with how to be the photograph.

...heroine: the artist, the premier mistress writhering in a garden graced w/highly polished blades of grass... release (ethiopium) is the drug...an animal howl says it all...notes pour into the caste of freedom...the freedom to be intense...to defy social order and break the slow kill monotony of censorship. to break from the long bonds of servitude-ruthless adoration of the celestial shepherd. let us celebrate our own flesh-to embrace not ones race mais the marathon-to never let go of the fiery sadness called desire.

I worked for Hillary [Clinton] when I was young - when she was running for the Senate. I was fundraising and things, I see all of these people as political in a way that isn't humanistic. I'm just watching and hoping that someone is going to distinguish himself or herself as comprehending what we need.

My mother answers all my fan mail.

What I've always tried to do is to express the highest point of me, and rock 'n' roll is the first and the most open form created by our generation. The cool thing about it is that you get the power, you get the rhythm; you can be taken over sexually, you can be taken over cerebrally; it's great to look at - it's a package deal.

I believe myself to be an artist. That was my calling, to do my work, and what's most important to me is to do the best work I possibly can. And that is what means the most, that is what will endure.