I have a daughter who's 11 years old. Maybe she'll grow up independent and really really heavy and become a movie star and she'll play me in my life story.

We used to laugh at our small selves, saying that I was a bad girl trying to be good and that he was a good boy trying to be bad. Through the years these roles would reverse, then reverse again, until we came to accept our dual natures. We contained opposing principles, light and dark.

I'm not afraid of terrorism at all. I'm afraid of loss of our freedom, loss of mobility, loss of global comradeship.

These are the times, the times of our own, these are the shapes the world we formed.

Eyeing the traffic circulating the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke-down filmmakers, and French actors. Everybody passing through here is somebody, if not in the outside world.

I started going to Bible school really early in life. Being raised a Jehovah's Witness, I had to read the Bible over and over. These stories were so horrifying and really difficult to reconcile. For me, Noah wasn't the story of the graham cracker box with the little animals it was horrifying. I would ask the same questions as a child. "Well, what about the little kids? What about the dogs and cats?"

I believe myself to be an artist. That was my calling, to do my work, and what's most important to me is to do the best work I possibly can. And that is what means the most, that is what will endure.