People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone's vision, because in the end, that's what you got: your clay in someone else's hands.

There's nothing cool about being self-destructive.

The film [Dream of Life] doesn't hide anything, except maybe moments of sorrow or darkness that belonged to me.

I was always trying to pick guys up. I'd ask guys out and stuff like that. I had no pride. I was the biggest lurch at dances, waiting for the ladies' choice. I'd lunge at my prey like a baby wolf.

I learned a lot from Arthur Rimbaud. People talk about how he wanted to be a seer and do that through the derangement of the senses. What they forget was that he also advocated, sternly and austerely, that one must be able to go through all that - and then articulate it.

John Coltrane, he talks to god. He starts playing his solo, he might play for 14 minutes. For 14 minutes, it seems like he's talking to god, but he always takes a hold of the melody.

Hopefully if you create something fine, people will relate to it, so you're communicating with people, and you're not in a void. On the other hand, because you're always creating and transforming, art always separates you - always.