As an artist, I used to think that my responsibility was to do good work. But I had to learn from the 70s on that being a public figure presents another aspect of responsibility.

I've always had a desire to write something and capture people's imagination like Peter Pan had captured mine.

Much has been said about Robert, and more will be added. Young men will adopt his gait. Young girls will wear white dresses and mourn his curls. He will be condemned and adored. His excesses damned or romanticized. In the end, truth will be found in his work, the corporeal body of the artist. It will not fall away. Man cannot judge it. For art sings of God, and ultimately belongs to him.

What helps me is watching other people negotiate loss. I think about how we dropped a bomb on people in Hiroshima and 150,000 people were killed in one night. Those people had to mourn and they had to rebuild their city right away.

I always wear the same thing onstage.

I'm old-fashioned. I think William Blake and people in the Renaissance people were multi. Look at da Vinci, he was involved in science; and Michelangelo was dabbling in poetry. Both of them were painters and sculptors but they also involved themselves with architecture. I honestly don't know what happened in the '60s and '70s. If you sang rock and roll in America at that time or were involved in expressing yourself through music like that, then many thought you couldn't possibly be an artist. That thinking is archaic.

I remember when you were born, it was dawn and the storm settled near my belly. And I rolled in the grass and spit out the gas, and I lit a match and the void went flash. And the sky split and the planets hit, balls of jade dropped and existence stopped.