My parents had three kids right after the Second World War, and we were all sort of sickly. Then I had a fourth sibling, with very serious asthma. The medical bills... So my parents always struggled.

I always hope that young people will think for themselves and also most importantly, understand that they should judge themselves on their own merit, their good deeds, however simple, to not judge themselves by what they have materially, by what other people think of them, through social media.

The film [Dream of Life], in the end, is life-affirming, and I think it's always useful for people to be reminded that no matter how rough things get, no matter what kind of twists and turns our lives can take, we can keep going, we can create something new.

I've embraced rock 'n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock 'n' roll. But I am also engaged in all of these things separately.

When I perform, I always opt for communication with God, and in pursuit of communicating with God, you can enter some very dangerous territory. I also have come to realize that total communication with God is physical death.

It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.

Horses pretty much broke as a record in England.