In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself.

Ordering is very important with essays, even if a reader doesn't read the essays or the poems in order through the book...

I don't write or think too much about the word "salvation." I might; I probably should. We are such needy creatures, needing to be saved, to feel we are saved or might be, however we define ourselves, however we define that word.

I like poetry because poetry - even in free verse - is formal, and it has to be very concise and packed and rich, and I like the feeling of having to do that, having to make the language tight and still free, as if the deepest freedom is created by the restrictions.

I'm all in favor of poets telling about the process as much as they can. And many do.

As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.

I think my prose - mine and that of others - sometimes slips into a cadence or rhythm that can replicate or come close to the music in a wonderful poem, and then it returns to the sound of prose.