What you want to worship above youth, I think, is beauty, and beauty is so beyond just appearances after a while. Because you can be with someone who's good-looking; if they open their mouths and they're an idiot, then they cease to be beautiful very quickly.

If I were to just focus on stand-up, I could actually, paradoxically enough, be home way more, because I would leave on a Friday, go do a couple theaters Friday, Saturday, maybe Sunday, come home.

Any acting job that I ever got, I always treated it like I was a neophyte, I didn't know what I was doing and I was going to work just as hard as I do on my stand-up.

You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.

But for the most part, for the majority of a stand-up audience, you better have new stuff they've not heard. And if you put an album out, just consider that material gone. At least that's how I see it.

I think most comedians go through that (period), where you have to change or evolve. You don't want to just keep doing variations on the same themes. And, besides, it would look kinda creepy for a guy my age to be doing stuff that, like, a 20-year-old would do. 'Yeah, this is bullshit!' It's, like, 'Really? You don't have bigger concerns at this point in your life?'

I have some shorter stories coming out in other books early next year. I might be pitching a re-vamp of Ghost Rider in the spring. We'll see.