You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.

Any comedian who tells you how dark and dangerous they are, they're not dark and dangerous.

The truly great actors, like Charlize Theron, are just like, "I'm an actor. For hire. I show up, I do my job." There's no "I'm just waiting for the inspiration." They just do their jobs. They say, "Let's go over the scene a few times and get it."

I think most comedians go through that (period), where you have to change or evolve. You don't want to just keep doing variations on the same themes. And, besides, it would look kinda creepy for a guy my age to be doing stuff that, like, a 20-year-old would do. 'Yeah, this is bullshit!' It's, like, 'Really? You don't have bigger concerns at this point in your life?'

It wasn't until I went to college and met different people from different areas of life - and then went to San Francisco and met people who really knew who the hell they were - that I kind of caught up in a hurry.

Wars are usually really popular with people that aren't gonna be affected by them. 'Cause it's just entertainment, and it's just weird, like, "Well, we've got to show the world that we're strong." No we don't. And by the way, that has nothing to do with you. Why are you equating yourself with that&#Array; you know what I mean?

I've had some pretty good arguments with people, but I've never regretted it. I've had people come up where it's all emotion and no fact. That's always sad.