You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.

My advice to you is be boring, square, asshole parents... When I have kids, the most recent CD I will own - Phil Collins, No Jacket Required, and I'll rave about it. 'Do you like rock 'n' roll? 'Cause this is rockin' good stuff, kid.'

Wars are usually really popular with people that aren't gonna be affected by them. 'Cause it's just entertainment, and it's just weird, like, "Well, we've got to show the world that we're strong." No we don't. And by the way, that has nothing to do with you. Why are you equating yourself with that&#Array; you know what I mean?

People will find transformation and transcendence in a McDonald's hash brown if it's all they've got.

Based on my own experience, when you're going through adolescence you don't know how the world works. You can't set a story in the world you live in because you don't know what a utility bill is, or how to budget your paycheck.

Every zombie story is fundamentally about a breakdown of order, with the infrastructure intact. That infrastructure might be on fire, yes.

I've gotten very cynical and kind of anhedonic about all the things I have to do to get to do comedy: all the travel, hotels, and airports.