You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.

Meal isn't over when I'm full. Meal's over when I hate myself.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

When you act, you're being asked to pretend in a very rigid, controlled environment. It's very un-childlike. So a lot of times, when you put kids in that situation, you hope they have a better support system outside of what they're doing to bring them back to reality at the end of the day and to keep them well-rounded.

Somebody is going to find a way digitally that is just as innovative. In the end, the tools can change, but there is always someone who can think of something cool to do.

It's like our country is being run by a bunch of bad alcoholic dads right now.

I would always rather shoot for something unique and fail than do a script because I feel like they're hitting all the right mainstream beats.