That's such a great book [Bloods]. That's a perfect way to articulate this thing that we're talking about. Just because someone is a black general, doesn't mean this person is going to have a certain outlook on it.

I think there's nothing new going on. Except that, you're even more public than you've ever been.There's some good and some bad to that.

I think, and a lot of that has to do with where I grew up in California; [status] isn't something I think about that much.

If I'm in LA, I'm close to home, and that just brings up all these other things, good and bad. There is a reason why I am not there. That's what I have to remind myself of. But I'm healthier in California, probably a little happier, maybe. I forget how beautiful and calm California is. It's not so much about the place, but also the age that I came to the place and, well, other things. New York is hard.

I'm doing all these interviews with the British press, the Italian press, and others. They all want to talk about this stuff. I don't have a stance; I don't have a go-to thing to say about any of this.

I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff [Man Booker Prize] very much. I think part of it is I can see myself wondering who's doing what and getting jealous, and none of that's healthy for me. So I just don't really.

In White Boy Shuffle, I combined my seventh-grade teacher, Mr. Takemoto, who really saved me - I don't think I've ever told anyone this - and my first basketball coach, Mr. Shimizu, into one character. Something about the way they talked about things, and their attitudes, had a huge impact on me. Not that I necessarily agreed with them. It was important to me to just put them there to stay grounded.