I don't write to put it in a drawer, I hope that people see it.

I'm very fortunate. I'm not much of a self-promoter or anything.

I remember going to see Amiri Baraka. It wasn't actually too long before he died. He said, "You've got to write to change the world!" I was like, "Not me, no, no, no, no."

The Sellout is about friends and relatives who have touched me in real ways.

There are things I don't like, like sitting at the head of the class. It makes me uncomfortable. I'll do it in a seminar if I have to, but with a workshop, I try to put myself in the circle somewhere. Because that hopefully frees up some people by making somebody else sit at the nominal head of the table.

My British publisher has this independent press. It's pretty small; they actually won last year. And she's got this great energy, and she's fiercely independent, and you know this book was a hard sell. No one wanted to buy this book. But she did, and so it's paid off for her, I hope.

I had a student once come up to me and we were talking about this incident, and, of course, I never had the right thing to say. But later on, I realized I should have said: Don't write about trying to change the world, just write about a changed world or a world that's not changing. Let that do the work.