My British publisher has this independent press. It's pretty small; they actually won last year. And she's got this great energy, and she's fiercely independent, and you know this book was a hard sell. No one wanted to buy this book. But she did, and so it's paid off for her, I hope.

I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.

I had a student once come up to me and we were talking about this incident, and, of course, I never had the right thing to say. But later on, I realized I should have said: Don't write about trying to change the world, just write about a changed world or a world that's not changing. Let that do the work.

In The Sellout I tried to capture how we can talk and see race, how we see urbanity, and how we see our history.

If I'm in LA, I'm close to home, and that just brings up all these other things, good and bad. There is a reason why I am not there .

We don't act the same in every situation. Things bleed into all kinds of other things, from behavior to identity.

Contradictions make people feel off. They'll say, "Hey, you just said this and now this person is doing that, how is that possible?"