With a changing key, you unlock the house where the snow of what’s silenced drifts. Just like the blood that bursts from Your eye or mouth or ear, so your key changes. Changing your key changes the word That may drift with flakes. Just like the wind that rebuffs you, Clenched round your word is the snow.

He speaks truly who speaks the shade.

There's nothing in the world for which a poet will give up writing, not even he is a Jew and the language of his poems is German.

With a changing key, you unlock the house where the snow of what’s silenced drifts. Just like the blood that bursts from Your eye or mouth or ear, so your key changes. Changing your key changes the word That may drift with flakes. Just like the wind that rebuffs you, Clenched round your word is the snow.

A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.

Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss.

They've healed me to pieces.