I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.

I would like to do something really big and then something really small, and see what it's like to work in that way, but in front of a live audience.

I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.

It's a constant learning process - not just what you need to learn for the character or as far as good actors - but as an actor, there's no limit. Every time now, you're learning so, I think that's a good thing though.

Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.

I always have an adjustment period where I'm so happy to be home, but then my sense of purpose is totally gone.

I remember going to the theatre when I was little and the lights going down and just getting really scared about what was going to happen up there.