You try to get to know your character as best as you can before you start filming - whats written and not written.

The first time I went to Daniel's [Radcliffe] apartment to just hang out before, because we're doing this crazy thing together, right away he said, "Do you want to put your hand in my mouth so we can get used to this?" And he was really ready to go. So we broke down any barriers pretty quick.

If I could get myself in an editing room, that'd be trouble. I mean, that's how it works, you know? You leave everything on the field. I would pick apart - I do, even on the first time. More than once is just too much self-destruction. I don't need that.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

I remember going to the theatre when I was little and the lights going down and just getting really scared about what was going to happen up there.

The only constant I can find is hard work.

I approach every role from scratch.