You try to get to know your character as best as you can before you start filming - whats written and not written.

I remember going to the theatre when I was little and the lights going down and just getting really scared about what was going to happen up there.

When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.

I love that it's such an uncynical film [Swiss Army Man]. I think it's got a lot of love in there, and I think that's a nice thing in this day and age.

It's a constant learning process - not just what you need to learn for the character or as far as good actors - but as an actor, there's no limit. Every time now, you're learning so, I think that's a good thing though.

Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.

Being actors is a strange job. To try to go live that out, it's a very strange thing to want to do when you step back and think about it.