I think there was a lot of working out the arc of how Manny [Daniel Radcliffe] talks. Scene to scene [in the Swiss army Man], if I would start talking a little too well, they would come in and say like, "Hey, you need to [dial back] your ability to speak" - things like that.

For me, playing a really bad character is about figuring out what brought the person to where we need him.

Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

If I could get myself in an editing room, that'd be trouble. I mean, that's how it works, you know? You leave everything on the field. I would pick apart - I do, even on the first time. More than once is just too much self-destruction. I don't need that.

I think that one of the strangest things about being an actor is, it's almost freelance work.

I feel like having something that you're passionate about helps to keep you young.