I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.

The only constant I can find is hard work.

I remember going to the theatre when I was little and the lights going down and just getting really scared about what was going to happen up there.

On set, the playground for the character, how much it takes varies. Is it like ballet, is it like jazz? The content always lends itself to the form, and it's really not mathematics.

I approach every role from scratch.

It's a constant learning process - not just what you need to learn for the character or as far as good actors - but as an actor, there's no limit. Every time now, you're learning so, I think that's a good thing though.

Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.