I went to tranny bars and kind of got used to being around that and then getting dressed up.

When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.

I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.

If you could call me buff, my version of buff was when I finished that film [Swiss Army Man].

In tragedy, it's hard to find a good resolution; it's not black and white: it's a big fog of gray.

I was constantly surprised by how things took shape, whether it was something that was funny or [sharp] or some of these more simple, quiet moments in the woods. Honestly I would say everything and nothing. I honestly don't think it's different than on any other film [Swiss Army Man]. I think I would probably ask questions of everything always.

I was actually thinking about starting like an app where you can watch videos of me carrying Daniel [Radcliffe in Swiss Army Man].