If I could get myself in an editing room, that'd be trouble. I mean, that's how it works, you know? You leave everything on the field. I would pick apart - I do, even on the first time. More than once is just too much self-destruction. I don't need that.

Sometimes it's summer camp on location. So it's nice to have a little New York community of people you love.

For me, playing a really bad character is about figuring out what brought the person to where we need him.

Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.

The first time I went to Daniel's [Radcliffe] apartment to just hang out before, because we're doing this crazy thing together, right away he said, "Do you want to put your hand in my mouth so we can get used to this?" And he was really ready to go. So we broke down any barriers pretty quick.

I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.

I like purple too. I looked up color psychology before doing any house painting, because I was curious what the colors I like mean. And purple is very royal and creative.