In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.

I came from a big family, with not enough attention. It's classic. I wasn't the baby, but was second to last. It's absolutely the same story that most people have in this [film] business, they're the middle children. I've encountered some people, and it's weird to me, that they were the youngest in their family. I don't understand how that works, they got the attention.

To have nice interactions with people is a better than to make anyone uncomfortable, than to try to fill up some kind of lull. Like anybody else, there's times when maybe I don't feel like talking with other people. You don't have to be in show business to not feel like making small talk sometimes. But we kind of are all in this together. It makes things easier - it just makes life easier, if we're all nice to each other. I'm sure that sounds terribly corny, but honestly, it's one of those simple things that it's so simple, it's true, and it's so true that it's simple.

The thing I have to keep in mind and I try to keep in mind about myself, about anyone, is you do the best you can do at the time.

I like being around people who are good conversationalists.

Everyone is always asking me about clothes.

I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.