I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
Paul F. TompkinsI meet Daniel Day-Lewis. He's just sitting in a chair on the set. Now, I had been told that Daniel Day-Lewis was kind of an intense person. And he's really not. He's really THE MOST INTENSE PERSON THAT HAS EVER EXISTED ON THE PLANET OF EARTH. He's not doing anything, he's just sitting in a chair, and I am terrified of him as if a jungle cat has wandered onto the set, like- WHOA! What do we do! Are we supposed to move around a lot or stay perfectly still?! What are the rules of Daniel Day-Lewis?!
Paul F. TompkinsI loved the bike because it gave me some measure of independence that I did not have.
Paul F. TompkinsI came from a big family, with not enough attention. It's classic. I wasn't the baby, but was second to last. It's absolutely the same story that most people have in this [film] business, they're the middle children. I've encountered some people, and it's weird to me, that they were the youngest in their family. I don't understand how that works, they got the attention.
Paul F. TompkinsI was going to say it's pretty bad these days, but I actually think it's pretty much the same as it's always been: There are a few really great shows on, and a bunch of garbage. That's the nature of the beast. It's always going to be that way as long as the networks try to second-guess what the American public will like. I wish that they'd just put on what they think is good rather than what they think people will sit through. I bet they'd have the same success rate, but at least the shows that survived would be better.
Paul F. TompkinsIn the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.
Paul F. TompkinsI love bad comedy more than I love good comedy, so I love open mics. Or I used to. But the thing that delights me more than anything else in an open-mic performer is when the comic has one joke that requires some kind of prop. But only one. The prop is always produced very awkwardly, and it never, ever pays off. The resulting embarrassment is savory and delicious.
Paul F. Tompkins