I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.

The thing I have to keep in mind and I try to keep in mind about myself, about anyone, is you do the best you can do at the time.

Now I don't care what people think. I did some internet campaign where I was the voice of a puppet for Ford Focus ads because they were paying me a lot of money to do it, it was a very easy gig, but then the bonus was, it turned out to be an enormous amount of fun. I've learned not to turn my nose up at things just because they're not what other people might consider cool to do. Because I've also matured enough to know, you never know where these things are going to lead, and you never know what the experience is going to be like.

To sustain a career in show business, you have to have a certain amount of delusion, because it's such an insane way to make a living. The idea that you're going to say, "Oh, I think I deserve to be paid attention to, and people should listen to what I have to say, and everybody should look at me," that's a little bit delusional in a way.

In the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.

I haven't seen comedy as popular as it is now since when I started, in the late 1980s boom. It feels like that again, in that it's everywhere, and it's great to see.

I like being around people who are good conversationalists, when there's a give and take, and you are heightening an idea, exploring it together, that is my favorite thing in the world.