I'm the biggest proponent of test screenings now. There's two ways to face test screenings. For dramas, I don't know if I would rely on them as much, although I still think you need them, because you're making a movie for an audience at the end of the day. But with comedy... You could go through a script or anything I ever worked on, where you go, "This is hilarious," and you put it in front of people and you get nothing. And then the other side of it, is something you're like, "I think this is really stupid," and it gets a giant laugh.

Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, "Hey, why don't you talk to Katie?"

I love funny people, and when I'm with funny people, or people who are amusing in their weirdness, I love it. Because that to me is funny, as opposed to someone who stops and says, 'Hey let me tell you a joke.'

I have an inability to enjoy things, but that's why we're in comedy. If we were happy, we wouldn't be funny, I guess.

I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.

At the end of the day the question comes, what are you doing for the world? You have to try to do something that's going to add something positive.

So many stars who have shows are intimidated by having people around them be funnier than them. It's always the unsuccessful ones. Look at Seinfeld - he's great because he let everyone be hilarious.