I think things go wrong when there's not a very specific plan and specific emotional roadmap. You need to know what a scene needs to get across, and what story point that needs to be advanced, whether it's discovering someone for the first time or whether it's seeing a relationship get strained. What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything.

I'm just always a bit thrown when, in the immediate aftermath of some event which makes us feel like either God's out to get us or He's not doing His job as well as He can, we all still get together and continue to ask Him for help.

It's healthy to have older friends. You go, 'Look, I'm younger than them!' That's always the nice thing, if you can be the youngest one in the room at times. Like if you're always the oldest one in the room, you'll start to feel like the oldest person in the world. So get older friends, because they're cool. Get cool older friends.

I'm glad I took the leap away from acting into going behind the camera because it's much more satisfying - I love acting and I still do, but it's much more satisfying to be able to make the stuff.

I can't impress enough upon people that if you tell an honest story that people relate to and people believe and invest in, you can do anything.

I've never had to get a job as a waiter or anything. I've always been able to support myself in 'the biz.' Which is great. It's really fantastic to be able to say that, because I know it's hard to do.

You need to have one element about your outfit that is imperfect, that says you live in it and you're not letting it control you. I think men and women both need a softness about them with formal wear.