You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.

I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.

People are like, "Why are you all dressed up? Did you dress up just for me?" I'm like "No, I dressed up because I'm an adult and I felt like putting on my suit." But I love it. Tom Ford and Ralph Lauren are my two heroes of clothing designers.

I'm extremely, extremely lucky to be who I am and do what I do and work with the people I work with. Even though I can always find something to complain about, I find it very hard to complain.

The hard thing is getting people to come to the theater to see something, no matter if it's good or not.

When guys see a movie starring women, they go, "That must be filled with these characters I see in these movies who are such a drag." And that's just bad for everybody.

The greatest way for people to experience a comedy is to go in not knowing anything about it. But because of marketing, it's impossible. Marketing meaning that in order to get people to come you can't just go, 'Hey, there's a great movie - we're not going to show you anything from it but trust us!