I've never had to get a job as a waiter or anything. I've always been able to support myself in 'the biz.' Which is great. It's really fantastic to be able to say that, because I know it's hard to do.

That's what I love about the mockumentary style, is the added thing of people knowing they are on-camera, which changes your behavior. That's why we sometimes do what we call spy shots.

When I went to high school, in the late 1970s, disco was in full swing and anyone who was into it dressed the part. I know I did.

Getting away from a white or light colored tuxedo shirt is always a little dangerous. Certain staples shouldn't be mixed with. Light pink or blue is not bad, but again, you're just breaking from a classic.

The greatest way for people to experience a comedy is to go in not knowing anything about it. But because of marketing, it's impossible. Marketing meaning that in order to get people to come you can't just go, 'Hey, there's a great movie - we're not going to show you anything from it but trust us!

In a perfect world, I'd love to make 90-minute movies, but for me, a movie needs to be as long or short as it can sustain itself.

Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior.