I've always enjoyed people studying themselves in the mirror, and I also enjoy those 'walk and feel bad' shots. I like anything that isolates people and focuses them on themselves, or makes us focus on their faces as they're going through something.

The greatest movies are the ones you want to watch again and again.

You want a happy ending, but not such a ridiculous happy ending that it doesn't mean anything to anybody.

You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.

A lot of comedies fall apart because they just go from joke to joke, and the characters are all sort of being crazy off on their own.

I think things go wrong when there's not a very specific plan and specific emotional roadmap. You need to know what a scene needs to get across, and what story point that needs to be advanced, whether it's discovering someone for the first time or whether it's seeing a relationship get strained. What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything.

I've always enjoyed people studying themselves in the mirror, and I also enjoy those 'walk and feel bad' shots. I like anything that isolates people and focuses them on themselves, or makes us focus on their faces as they're going through something.