The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.

I'm not a painter who's saying, "I want people to see my work when I die; it will be this and that." That's not satisfying to me.

Period costume films are fun to discover, but they're not relatable. It's more, 'Wow, that's cool - did it really look like that back then?' Whereas with a comedy, you're like, 'Yeah, that's me, that's my friends.' No matter what, I want people to relate.

My style of comedy is very real and bittersweet, and sort of always on the verge of kind of being tragic.

I'm a pretty feminized geek, you know? I have that point of view, I grew up around a lot of girls, so I'm pretty sensitive to that. But I don't dare say 'I know how women think.

People are like, "Why are you all dressed up? Did you dress up just for me?" I'm like "No, I dressed up because I'm an adult and I felt like putting on my suit." But I love it. Tom Ford and Ralph Lauren are my two heroes of clothing designers.

You just have to be classy at the end of the day. That doesn't mean you can't go with a midnight blue tux. And if you can find a deep red tux that looks classy and classic, I think you can pull it off.