Any ensemble - they didn't call it "the all-male Expendables," for example. But it's Hollywood's fault that people say that, because there have been so few movies that have allowed women to have these leading roles, so that's Hollywood's fault.

The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.

The hard thing is getting people to come to the theater to see something, no matter if it's good or not.

At the end of the day the question comes, what are you doing for the world? You have to try to do something that's going to add something positive.

I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.

If some magic thing happens, and everybody goes completely nuts, and does something we never thought of, the cameras catch everything. That comes from having camera people who are almost like actors and writers themselves.

Whatever you wear, you have to own it. Make it yours.