If you're not connected emotionally to a story, then you're dead. You're as a filmmaker really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart. That's what people will do, people will naturally tear stuff apart because they're trapped with it, they paid money for it. And they came into it wanting to love it. So all you can really do is piss off the audience. Unless you do things right.

Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?

I find that so many times when somebody tries to go back in, it sort of isn't as good and you wish they hadn't done it.

You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.

I was a standup comedian, which is kind of like writing and directing yourself.

At the end of the day, I just want a movie that's great, that people are going to love and laugh at and be affected by, and also have an emotional journey.

Little Britain… ever since it first came on… I come here a lot, we have a lot of friends here, my wife used to work with a lot of Brits, so we were always keyed into the hot shows when they first came out. So, I fell in love with Little Britain.