I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.

So many of my friends have always been women growing up... I always feel slightly more comfortable around women because with guys in general there's always more of a danger zone... it's very aggressive sometimes the way guys act with each other, putting each other down and calling each other names, so I was always too sensitive for that and used to hang out with the girls. And they were always really funny to me.

I don't like weddings. I never have. I find moments in them I really like, but I always look at them like, "Oh my God, we have to go to a wedding." My problem with weddings is that they are just too long.

At the end of the day, I just want a movie that's great, that people are going to love and laugh at and be affected by, and also have an emotional journey.

In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.

What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.

Handheld camera is approximating what we're seeing when we're looking at each other, and kind of looking around, and your eyes whipping around. It adds an immediacy, where you feel like you are watching something through your own eyes, standing there with them. And that just allows you to take more liberties and have more fun with people's behavior.