I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.

I was a standup comedian, which is kind of like writing and directing yourself.

If you're not connected emotionally to a story, then you're dead. You're really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart.

Man up and add a tux to your wardrobe. Just find one you like and get it well-tailored to your own measurements.

At the end of the day if you want to entertain people, you've got to take your ego out of the equation.

Scripts are a house of cards and you can't just reach in the middle and pull out the middle card because the house of cards will fall down. But at a certain point you almost have to allow that house of cards to get knocked down a few times because you need to make it sturdier. How many times do you hear, "No, that doesn't make sense," or "Why would this happen?" That was a mistake. You shouldn't have those moments, because the moment you're knocked out of the story, then you're dead. And all you can go is moment to moment,or joke to joke. And that's gonna wear people out.

The good thing is that I really think that American television is in kind of a second golden age. Even though there's a lot of reality and all those contest shows, which aren't my kind of shows, the scripted stuff that's going on is so good right now because of basic cable. Everyone has stepped it up and realised that people like quality.