What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.

If you're not connected emotionally to a story, then you're dead. You're as a filmmaker really just opening the door for people to lose interest and their minds to wander, for them to start picking it apart. That's what people will do, people will naturally tear stuff apart because they're trapped with it, they paid money for it. And they came into it wanting to love it. So all you can really do is piss off the audience. Unless you do things right.

So many of my friends have always been women growing up... I always feel slightly more comfortable around women because with guys in general there's always more of a danger zone... it's very aggressive sometimes the way guys act with each other, putting each other down and calling each other names, so I was always too sensitive for that and used to hang out with the girls. And they were always really funny to me.

Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?

Hollywood is a business and movie studios are only going to do what's going to make money. It's not an altruistic thing. They are blatant grabs for money. Responsible studios want to make quality pictures, but at the same time nobody is going to make quality pictures they know aren't going to make any money.

Everyone takes pause at 40. It's the age you have to assess everything in your life. It's the fictitious marker that's always coming up when you're young. The world really does look at you to kind of have it together by 40, and be successful by 40. Whatever success means.

Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.