What's so great about working with really funny women is that vanity comes second. Whatever makes it real and funny, they're going to go for, and it's just great.

The greatest movies are the ones you want to watch again and again.

I have an inability to enjoy things, but that's why we're in comedy. If we were happy, we wouldn't be funny, I guess.

I'm just always a bit thrown when, in the immediate aftermath of some event which makes us feel like either God's out to get us or He's not doing His job as well as He can, we all still get together and continue to ask Him for help.

What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.

I really put my heart and soul into everything and I don't want a project that doesn't feel real to me or I don't get invested in. In order to drive a show for eight or 10 years or whatever the target for doing a show is, it really has to be a part of you. Because then I can come up with stories for seasons and seasons on end. I wish I had the ability to just like the idea and get people in and drive it that way through their enthusiasm. For me, it has to be a little more of a personal thing, even if it's not a completely personal story.

At the end of the day, successful box office just means that more people saw what you did and liked it, and that to me is the most important thing. That a lot of people saw it and liked it.