I'm not only a romanticist but a romantic myself. I take it for granted the originality matters.

The rhetoric of theory is always in a bind. It pronounces ideas and denounces failures to accept or grasp them while insisting that there are no grounds either for accepting or grasping ideas.

Criticism is concerned with evaluation. There may be evaluative principles implicit in this or that form of theory, but theory in and of itself is not prescriptive.

Although I don't disagree that utterances express desires and try to make complexities precise, I actually don't think at all that any of our efforts to speak and mean things are ultimately why we speak.

Authors we are in danger of accepting as gospel, whereas founders of discursivity provide permeable ideas that we can elaborate upon in a tradition of constructive dialogue.

I myself always want to talk about "poetry," not "the poem."

Both the 18th and the early 20th centuries, however, feature brilliant attacks on originality, and it's no doubt one of the hallmarks of romanticism to care about originality and suppose with a sometimes naive spontaneity that it's all that matters.