You face challenges and you have to make choices. You're weighing the necessary responsibility toward reality and authenticity and of course the need to create a compressed drama over two hours.

The actor's job is to divine and embody the truth, and find it.

All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script and it's very linear.

That's one of the central challenges we face - how to stay true to events and compress the fundamentals.

There's a script, then you're going to shoot the script and then you cut that and then that's the end of the film. And that's never really been how I've seen it.

I think when you think of my films, I think hopefully you think of an extreme sort of real unfolding, real-time, performed, feeling semi-improvised, you know what I mean, all that.

You face challenges and you have to make choices. You're weighing the necessary responsibility toward reality and authenticity and of course the need to create a compressed drama over two hours.