All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script and it's very linear.

Remembering is painful, it's difficult, but it can be inspiring and it can give wisdom.

You face challenges and you have to make choices. You're weighing the necessary responsibility toward reality and authenticity and of course the need to create a compressed drama over two hours.

You sort of can't talk about the post production unless you talk about what comes first.

That's one of the central challenges we face - how to stay true to events and compress the fundamentals.

Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling, and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey. The actor's job is to divine and embody the truth, and find it.

There's a script, then you're going to shoot the script and then you cut that and then that's the end of the film. And that's never really been how I've seen it.