You sort of can't talk about the post production unless you talk about what comes first.

You sort of can't talk about the post production unless you talk about what comes first.

That's one of the central challenges we face - how to stay true to events and compress the fundamentals.

In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real.

There's a film you write, there's a film you shoot, and there's a film that you cut - and they're all different.

There's a script, then you're going to shoot the script and then you cut that and then that's the end of the film. And that's never really been how I've seen it.

I think when you think of my films, I think hopefully you think of an extreme sort of real unfolding, real-time, performed, feeling semi-improvised, you know what I mean, all that.