The joy of painting lies precisely in the challenge of memory and the challenge of translation from the lived experience to the two-dimensional or three-dimensional symbol.

The most terrifying thing I can think of is being alone - and I mean utterly alone, like no one else in the world alone - at night. That's the nucleus of the first story in my collection and it's also where the title came from for the book.

Sometimes I'll hear a phrase or a word and write it down in my little black notebook (a writer's best mate), then come back to it and work a plot around it.

As for goals, I don't set myself those anymore. I'm not one of these 'I must have achieved this and that by next year' kind of writers. I take things as they come and find that patience and persistence tend to win out in the end.

I believe that, like most writers, my personality comes through in the fiction. So in that respect my writing can’t be like any other author’s really.

It's not just that toil allows the appearance of spontaneity. It allows the actuality of spontaneity.

I can look back at stuff I wrote in my early days and squirm at some of the mistakes I made. But we're all learning every day; we never stop. I just hope people keep on liking what I do. That gives me such a kick.