The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.

Essentially the soul of the planet is being controlled by corporations.

Pop music can somehow survive being inhibited and mangled by its harsh and stupid commercial chains, and there is surely irreducible potential because of the 'star system' and the volatile attention pop receives for multiples of wickedness, ridicule, discontent, eccentricity, desire to thrive importantly in a genuinely popular context.

Pop music is not just a clumsy mass fanaticism, connected to a deceitful enchantment totally lacking in moral rigour.

It's going to be an interesting dilemma for certain corporations. They've worked so hard to make themselves important in the way music goes out into the world, but it's completely irrelevant when people can get their music in a different way.

There's endless possibilities to taking music into the future by using music that actually was 100 years old.

I think the internet and the web is just like a big consciousness of the planet, a big brain of the planet.