The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.

There's different ways of presenting a pop group to the world. It doesn't have to be the same old poses.

We say we love flowers, yet we pluck them. We say we love trees, yet we cut them down. And people still wonder why some are afraid when told they are loved.

The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.

It's going to be an interesting dilemma for certain corporations. They've worked so hard to make themselves important in the way music goes out into the world, but it's completely irrelevant when people can get their music in a different way.

I think the internet and the web is just like a big consciousness of the planet, a big brain of the planet.

Pop music can somehow survive being inhibited and mangled by its harsh and stupid commercial chains, and there is surely irreducible potential because of the 'star system' and the volatile attention pop receives for multiples of wickedness, ridicule, discontent, eccentricity, desire to thrive importantly in a genuinely popular context.