War is cinema, and cinema is war

For me, then, territory and movement are linked. For instance, territory is controlled by the movements of horsemen, of tanks, of planes, and so on.

Whoever controls the territory possesses it.

It was a total and absolute surprise to find out that what was inside the concentration camps was a sea of skeletons. What is clear to me, therefore, is that while the tragedy of war grinds on, the contemporary aesthetics of the tragedy seem not only confused but, in some way, suspicious.

The body is not simply the combination of dance, muscles, body-building, strength and sex: it is a universe.

Let us start with the title of War and Cinema. The important part of the title is not War and Cinema.

In this way, history now inscribes itself in real time, in the 'live', in the realm of interactivity. Consequently, history no longer resides in the extension of territory.