What happened in Kosovo was the exact reversal of what happened in 'Fortress Europe' in 1943-45. Let me explain. Air Marshall 'Bomber' Harris used to say that 'Fortress Europe' was a fortress without a roof, since the Allies had air supremacy. Now, if we look at the Kosovo War, what do we see? We see a fortress without walls  but with a roof! Isn't that disappearance extraordinary?!

The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.

The globally constituted accident can be compared to what people who work at the stock exchange call 'systemic risk'.

There is a French expression that says: to be exposed to an accident, to cross a street without looking at the cars means exposing oneself to be run over. This is more than a play with words, it's fundamental.

All of us are already civilian soldiers, without knowing it...The great stroke of luck for the military class's terrorism is that no one recognizes it. People don't recognize the militarized part of their identity, of their consciousness.

Writing is not possible without images. Yet, images don't have to be descriptive; they can be concepts.

For the time being, technologies are colonizing our body through implants. We started with human implants, but research leads us to microtechnological implants.