In this way, it seems to me that, since 1984, my book on the logistics of perception has been proved totally correct. For instance, almost every conflict since then has involved the logistics of perception, including the war in Lebanon, where Israel made use of cheap drones in order to track Yasser Arafat with the aim of killing him.

One day the virtual world might win over the real world.

The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.

Time is not something that can be measured with a pendule. Time is something that we build together within a tribe, a family, a region.

When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.

For the strategies of deception are concerned with deceiving an opponent through the logistics of perception. But these strategies are not merely aimed at the Serbs or the Iraqis but also at all those who might support [Slobodan] Milosevic or Saddam Hussein.

People make fun of cybersex, but it's really something to take into account: it is a drama, a split of the human being! The human being can now be changed into some kind of spectrum or ghost who has sex at a distance. That is really scary because what used to be the most intimate and the most important relationship to reality is being split. This is no simulation but the coexistence of two separate worlds.