The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.

The globally constituted accident can be compared to what people who work at the stock exchange call 'systemic risk'.

In this way, history now inscribes itself in real time, in the 'live', in the realm of interactivity. Consequently, history no longer resides in the extension of territory.

For me, Sun Tzu's statement that military force is based upon deception is an extraordinary statement.

The creation of a virtual image is a form of accident. This explains why virtual reality is a cosmic accident. It's the accident of the real.

While the United States (US) can view the war as a success, Europe must see it as a failure for it and, in particular, for the institutions of the European Union (EU).

Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.