I always write with images. I cannot write a book if I don't have images.

Look at the Intifadah in Jerusalem. One cannot understand that phenomenon, a phenomenon where people, often very young boys, are successfully harassing one of the best armies in the world, without appreciating their freedom to move!

There cannot be an animal body without a territorial body: three bodies are grafted over each other: the territorial body - the planet, the social body - the couple, and the animal body - you and me. And technology splits this unity, leaving us without a sense of where we are. This, too, is de-realization.

The body has a dimension of simulation. The learning process, for instance: when one learns how to drive a car or a van, once in the van, one feels completely lost. But then, once you have learnt how to drive, the whole van is in your body. It is integrated into your body.

Let us start with the title of War and Cinema. The important part of the title is not War and Cinema.

While the human gaze becomes more and more fixed, losing some of its natural speed and sensitivity, photographic shots, on the contrary, become even faster.

I am of course thinking here about new planes such as the Sukhois. There is very little discussion about such developments but, for me, I am constantly astonished by the current developments within the Russian airforce.