I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.

'Cyberwar' has nothing to do with the destruction brought about by bombs and grenades and so on.

GPS are everywhere. They are in cars. They were even in the half-tracks that, initially at least, were going to make the ground invasion in Kosovo possible.

There is, then, a link between the logistics of perception, the wars in Lebanon and the Gulf as well as with CNN and the Pentagon.

Digital messages and images matter less than their instantaneous delivery; the shock effect always wins out over the consideration of the informational content.

The field of vision is comparable, for me, to the terrain of an archaeological dig. To see is to be on guard, to wait for what emerges from the background, without any name, without any particular interest: what was silent will speak, what is closed will open and will take on a voice.

Art is drama. Any relationship to art is also a relationship to death.