It was a total and absolute surprise to find out that what was inside the concentration camps was a sea of skeletons. What is clear to me, therefore, is that while the tragedy of war grinds on, the contemporary aesthetics of the tragedy seem not only confused but, in some way, suspicious.

The simulator is an object in itself, which is different from televison and leads to cyberspace.

In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.

Science, which is not so attached to 'truth' as it once was, but more to immediate 'effectiveness', is now drifting towards a decline, it's civic fall from grace.

Television exposes the world to the accident. The world is exposed to accidents through television.

Now all we have to do to enter the realm of art is to take a car.

Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture.